“Some proposed that German rather than Hebrew was the primary language and that ‘Adam was a German man.’ ” Others, noting that the Jews had borrowed the name of one of Noah’s great-grandsons, Ashkenaz, to refer to Germany, suggested that this Ashkenaz was the founder of the German tribes, and that his name was a corruption of Tuisco, the god worshipped by Tacitus’ Germans. After all, he reasoned, who would voluntarily leave the Mediterranean lands to live in swamps and forests? But German writers chose to ignore the insult they loved the idea of primeval Germanness, and built towers of fantastic speculation on Tacitus’ flimsy foundation. Tacitus speculates that the German tribes were autochthonous-that they sprung from the German soil, and never mixed with any other people. Over the centuries, Krebs shows, certain themes repeated themselves in the way German intellectuals used and misused the Germania. The leading Lutheran Philip Melanchthon hoped the work would help readers “contemplate … the strength and virtuousness of ancient Germany.” Followers of Martin Luther “produced their own Latin editions, the first German translation, and an extensive commentary” on Tacitus’ work. In an intellectual judo-flip, this Roman treatise on German primitivism was taken over by Germans who wanted to assert their historical and moral superiority to Rome. But while Italians rediscovered the Germania, Germans made it a Renaissance best-seller.
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“What I’d read had struck me (lunkhead that I was) as mild and voiceless and swagger-free.” When a reading of Chekhov’s “Little Trilogy” by his new professor Tobias Wolff moved Saunders to laughter and tears, he changed his mind: “ could feel, channelled through Toby, Chekhov’s humour and tenderness and slightly cynical (loving) heart.” There’s the resemblance: tender, humorous, slightly cynical, and loving-this could be a description of Saunders’s own fiction. “I didn’t know much about Chekhov at that point,” he writes in the companion essay to the story “Gooseberries”. Saunders believes these older stories represent a “high-water period for the form”, but as a young writer in the ’80s, abandoning a career in geophysical engineering to attend a creative writing MFA at Syracuse University, he’d yet to fall in love with them. Theirs are simple, classically structured, (mostly) realist tales about the frostbitten lives of farmers, peasants, schoolteachers and clerks. His are surreal, irreverent fables set in corporate wastelands and haunted dystopian theme-parks. What do the short stories of the 19th-century Russian masters have in common with the works of George Saunders? At first glance, not a lot. He choked out a laugh, but backed away and tossed me the keys. Now, if you ask me if I know how to drive well, the answer will be different." "You're telling me." The glasses slid back into place as he cupped the back of my neck and dragged me closer to him, peering down at me sternly. "Because I need to practice my driving, and I promised my grandparents I would." Because I want to stab you with them, why else?"įine. Suddenly suspicious, he snapped out a quick "Why?" "And if you call me Little Ali again, I'll smash your trachea the way I hear you like to to others." "I said give me your keys." No reason to play nice. "And what is it, exactly, that Little Ali wants?" He lifted the sunglasses and I saw a bright gleam in those violet eyes. "Now be a good boy and do what I want you to do." I could knee him between the legs and simply steal his keys, proving otherwise, but all I said was, "Believe me, I've witnessed that firsthand," and held out my hands. "Haven't you heard? I do what I want, when I want, and there's nothing anyone can do to stop me." "Do not get into anymore fights on my behalf." I didn't want him suspended-or worse. “When I reached him, I anchored my hands on my hips and glared. Woodward, now 76, took the fuss around Fear in his stride. Nearly 50 years have passed since Woodward and Carl Bernstein took down a president, a story they chronicled in the books All the President’s Men and The Final Days. On Sunday, the Post’s Josh Dawsey duly reported that “Trump has also told skeptical senior aides to cooperate with Woodward this time.” When Fear came out, Sarah Sanders, then White House press secretary, claimed its sources were mostly “former disgruntled employees”. Trump greeted Woodward’s book with derision, calling it “a piece of fiction” and a “con of the public” and its author a “liar” with “phoney sources”.īut the president is nothing if not changeable and on Sunday, one of Woodward’s chief competitors, Maggie Haberman of the New York Times, tweeted that Trump has “met with Woodward at least twice for his second book Woodward, a legend, is now ‘very good’.” Photograph: APįear came out in September 2018, eight months after Michael Wolff’s explosive Fire and Fury set off a Trump book publishing boom that has never truly died down. To add to the confusion over the Morrigan’s nature, the name is sometimes used for one member of the trio. Like this group, the Morrigan is a collection of individual beings that create a singular whole. Modern scholars sometimes compare the tripartite nature of the Morrigan to the Catholic doctrine of the Holy Trinity. The Morrigan, as this collective is usually called in English, can be seen as both a trio of goddesses or as a single being. In Irish mythology, Badb is one of the three goddesses collectively known as the Morrigna. In later Irish folklore, Badb inspired a figure that continued to foretell doom throughout the Celtic world. The forms she took to frighten Irish warriors allowed Badb to live on after the pagan era ended. Badb is one of the most often mentioned, though, and her particular skill was in causing panic and fear in the midst of battle. The three war goddesses who made up the collective Morrigan were often interchangeable or poorly-attested. In Ireland, the crow that foretold death and disaster was Badb, an aspect of the Morrigan. Sometimes, though, these birds would appear before the battle had even begun. Shrieking and cawing as they fed on dead flesh, crows and ravens were almost synonymous with casualties. In the aftermath of ancient battles, black birds would often descend on the battlefield. This is free download The Reckless Afterlife of Harriet Stoker by Lauren James complete book soft copy. Click on below buttons to start Download The Reckless Afterlife of Harriet Stoker by Lauren James PDF EPUB without registration. If you are still wondering how to get free PDF EPUB of book The Reckless Afterlife of Harriet Stoker by Lauren James. The Reckless Afterlife of Harriet Stoker Download PDF / EPUB File Name: The_Reckless_Afterlife_of_Harriet_Stoker_-_Lauren_James.pdf, The_Reckless_Afterlife_of_Harriet_Stoker_-_Lauren_James.epub.It’s a complex story exploring humanity, redemption, good vs evil and atonement. Read 304 reviews from the worlds largest community for readers. The Reckless Afterlife of Harriet Stoker byLauren James is not your typical YA paranormal story. Book Genre: Fantasy, Fiction, Ghosts, GLBT, Horror, LGBT, Paranormal, Queer, Supernatural, Young Adult, Young Adult Fantasy The Reckless Afterlife of Harriet Stoker book.Full Book Name: The Reckless Afterlife of Harriet Stoker. The Reckless Afterlife of Harriet Stoker by Lauren James – eBook Detailsīefore you start Complete The Reckless Afterlife of Harriet Stoker PDF EPUB by Lauren James Download, you can read below technical ebook details: Determined to put this dream into action, she recently wrote and self-published a book of poems titled, Milk and Honey. In a poem she wrote in 2013 about the Sikh genocide that took place in India in 1984, she referred to those that lost their husbands and families to the violence as “milk and honey” and dreamed that one day this phrase would be the name of a future book. She lets that flow through her pieces in an uplifting, but honest manner. At the core of her work is human dignity. Kaur is an inspiration leader as she creates pieces centered around topics like women-hood, abuse, inequality, violence, growth, and most importantly: peace. She is a strong feminist and social justice advocate who has a unique perspective on how to make the world a better, kinder place. The author, Rupi Kaur, is a Canadian-born artist who brings creativity to life through her poetry, photography, and Instagram. This simple poem explains what it means to walk a journey towards social justice it is not a journey for individual success, rather a journey for the success of others. They can both be an outlet to express different perspectives on the world. Poetry and art explore possibilities and passion. “Of course I want to be successful but I don’t crave success for me, I need to be successful to gain enough milk and honey to help those around me succeed.” No one else would understand his choice of favorite. He’d named her himself, Hadjo, the Creek word for jokester. She was full of personality among her dimmer colleagues, a bit of a show-off. She still showed no sign of shakes, thank the Great Spirit. Hadjo chewed a lazy cud, her eyes calm, but he knew better than to believe she couldn’t just as well deliver a fast kick, whether hurt or merely displeased, and kept his body from her firing line. He was sure what awaited him was another meaningless chore, or errand easily assigned to one of the others. He had to obey, eventually, but pretended not to hear, giving himself time, sliding his hand along the stomach line from dewlap to udder, feeling for an unfamiliar bulge or irritated patch. HIS MASTER’S VOICE, testy, from the direction of the main house. C LICK H ERE T O S IGN U P or visit us online to sign up at īut we start and end with family. Sign up for our newsletter and receive special offers, access to bonus content, and info on the latest new releases and other great eBooks from Atria Books and Simon & Schuster. Thank you for downloading this Atria Books eBook. Sam, a shape-shifter who can take the form of various animals, is worried about prejudice directed at his shape-shifting family now that the “two-natured” (as they’re known in the series) have revealed themselves to the general public, just as vampires did in Harris’ first Sookie novel, Dead Until Dark (2001). The primary appeal of the Companion is a new Sookie novella by Harris, “Small-Town Wedding,” which finds Sookie accompanying her boss and friend Sam Merlotte to his brother’s wedding in a small Texas town. After 11 novels in her Sookie Stackhouse supernatural mystery series, as well as an extremely popular TV adaptation (HBO’s True Blood), Harris ( Dead Reckoning, 2011, etc.) has provided her dedicated fanbase with this mostly superfluous companion work. In this sumptuous group portrait, Fraser takes us into the heart of the British Royal family during the tumultuous period of the American and French revolutions. Six handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother home-loving, family-minded Augusta plump Elizabeth, a gifted amateur artist Mary the bland beauty of the family Sophia, emotional and prone to take refuge in illness and Amelia, 'the most turbulent and tempestuous of all the princesses.' Princesses opens an invaluable new window into the often troubled private world of these royal women' LA Times 'Riveting and wonderfully detailed.Thanks to Flora Fraser's new book, George III's daughters can step out of the shadows of history and take their rightful places with the rest of the House of Hanover' Washington Timesĭrawing on their extraordinary private correspondence, acclaimed biographer Flora Fraser gives voice to the daughters of 'Mad' King George III. |